![]() ![]() It’s the way the dry sackiness of the nuts tiptoes up against the dour savor of the cheese that is so nice, so subtle. Little Roquefort cheese morsels rolled in crushed nuts. Who the hell was this Negro rising up from the piano and informing the world what an ass Leonard Bernstein was making of himself? It didn’t make sense, this superego Negro by the concert grand. ![]() Think of the headlines: BERNSTEIN ELECTRIFIES CONCERT AUDIENCE WITH ANTIWAR APPEAL. The audience thinks, ‘I am ashamed even to nudge my neighbor.’ ” Finally, Lenny gets off a heartfelt anti-war speech and exits.įor a moment, sitting there alone in his home in the small hours of the morning, Lenny thought it might just work and he jotted the idea down. Amo, ergo sum.” The Negro rises again and says, “The audience thinks he ought to get up and walk out. All at once a Negro rises up from out of the curve of the grand piano and starts saying things like, “The audience is curiously embarrassed.” Lenny tries to start again, plays some quick numbers on the piano, says, “I love. He announces to them: “I love.” Just that. He has an anti-war message to deliver to this great starched white-throated audience in the symphony hall. ![]() A guitar! One of those half-witted instruments, like the accordion, that are made for the Learn-To-Play-in-Eight-Days E-Z-Diagram 110-IQ 14-year-olds of Levittown! But there’s a reason. He sits in the chair and picks up the guitar. On the other is a chair with a guitar leaning against it. On one side of the conductor’s podium is a piano. He could see himself, Leonard Bernstein, the egregio maestro, walking out on stage in white tie and tails in front of a full orchestra. Suddenly he had a vision, an inspiration. It was one of the forms his insomnia took. At 2 or 3 or 4 a.m., somewhere along in there, on August 25, 1966, his 48th birthday, in fact, Leonard Bernstein woke up in the dark in a state of wild alarm. ![]()
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